I’m writing a worship album that I’m planning to have completed and released by the end of May. It’s exciting and confronting all at the same time.
For one thing, worship music isn’t like any other kind of music I know. It’s purpose is not to be a self-expression of the writer/artist as much as it is a tool the writer gives their Christian community to use as a means to meditate on truths of the faith, praise and commune with God, invite those who are seeking truth to consider the Christian way, and strengthen the relationships between believers. The best worship music is simple enough for any person to sing, whether or not they are musical, and yet complex enough to retain interest and insight over multiple repetitions. It’s a pretty unique form.
Most Christian worship music I’ve heard is very listenable and accessible, but also cliched both in theme and lyrics, and music. The worst examples tend to use standard catch-phrases like “God, yer great — at the cross I wait — you saved my soul — and made me whole”, etc. coupled with major chords, very few changes, extremely simple structures, and no surprising musical phrases. The performers are usually husky-voiced, earnest sounding crooners in the U2-minor-league vein (you’d never catch a Jeremey Enigk style singer on a worship album) and the musical vibe is almost always a rootsy acoustic rock sound. Nothing wrong with any of that, I suppose, but if that’s the only option out there after decades of worship music being written, then I figure it’s time for something new.
So, I want to write something new. I had some success at a church I was at a few years ago with taking a slightly different tack. Here’s a sample (lyrics/mp3) and here’s another (lyrics/mp3) and here’s another (lyrics/mp3). But those efforts, while still listenable, are sounding dated. I’ve been wanting to take it to the next level for myself as a songwriter and still make the music accessible to people who want to use it in their worship services. My commitment is to create an album that is moody, artsy, very produced and beautifully jagged — in the style of Radiohead or Pink Floyd or Martina Topley-Bird or Daniel Lanois or Bjork: something completely left-field for the Christian music industry.
I’ve been working hard at it. I have a few new songs, and I like the general lyrical content, but I’m rusty at this. I haven’t led worship or really darkened the door of a Protestant church for 4+ years. I’ve recently started to tour some local churches that are trying new approaches to the worship service, but so far I’ve felt pretty out of place and haven’t heard an opening for the kind of stuff I’m doing. I’ve also been playing with some friends of mine that I played worship music with back in the day to try my new material live and maybe even lead a few services at local churches that are interested.
Tonight was our second practice. What a trainwreck. I didn’t have the chord sheets ready for the bass player, and I felt like all thumbs on my guitar and effects. The two new songs I wrote had some good elements, but they were disjointed, too complex and not simple and catchy. There were a few highlights in the material we tried, but it was a slog for most of the night. Granted it was only the second time we’ve played together in 6 years or something, but it was like hooking back up with an old girlfriend for a make-out session — awkward, bumping noses, not sure if they still like that thing you used to do with your lips, not sure where it’s appropriate to put your hands, etc.
BUT, it was also energizing in a strange way. On my walk with Tova tonight, my head was buzzing with ways to take the best bits from what wasn’t working and re-create some new approaches. The pain of the session was unpleasant, but it got me out of my echo chamber I’ve been writing in and let me hear the music like other musicians would hear it. Ouchy, but instructive. In a strange masochistic way, I’m inspired. (I’m a Capricorn — there’s nothing we like better than a long painful slog.
) The same thing happens in my web design sometimes. The first design or two I do will be hokey and rehashed pablum, but I get them out of my system and sometimes discover elements in the process that I go on to use in a way that produces great results — if I stick with it. I’ve not broken through yet to what I want, but I’m starting to see possibilities for ways to get there.